![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
the_water_clockAuthor: Clio
Title: Radio Friendly Part 9 of 10: Instead of a Sweet
Pairing: American Idol: Blake Lewis/Chris Richardson
Rating: PG
Summary: In which years go by.
Length: 600 words
Disclaimer: People sort of own themselves, don't they? Which means this is a work of fiction.
Notes: Radio Friendly is an AU set in 1962, when New York was the center of pop music and the Brill Building was where it all happened, when a group of talented songwriters and producers crafted perfect pop hits for artists whose every move was controlled by their label. Pictures and songs will be used along the way to take you back to yesteryear—and for those who'd like more info, see the additional author's note at the bottom.
You're reading this story because![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
lillijulianne was so enthusiastic and allysonsedai insisted that it see the light of day, because they were willing to keep reading even when I sent three chapters in one weekend, and were instrumental in the flow, in pointing out what it needed and what it didn't, and in holding my hand through the entire thing. Thank you, ladies!
1: Come to Where the Flavor Is | 2: Where Particular People Congregate | 3: This Is the One They'll Have to Beat | 4: You've Come a Long Way, Baby | 5: Alive with Pleasure | 6: It's What's Upfront That Counts | 7: We'd Rather Fight Than Switch | Missing Scene: Ryan and Simon | 8: So Round So Firm So Fully Packed | Missing Scene: Chris and Blake
These amazing graphics were created byali_wildgoose, whom I cannot thank enough.
instead of a sweet
Additional Scene: One Big Circle
10: I'd Walk a Mile. Includes dogs and video messages!
Notes: Our cast of characters:
Ryan Seacrest is based partly on his own sweet self, partly on Dick Clark (who really was one of the first to play the Beatles), partly on his mentor Merv Griffin (the game show stuff) and partly on label owner/movie exec David Geffen (who has raised tons of money for AIDS charities).
Simon Cowell is mostly himself, with elements of Don Kirshner and Phil Spector.
Randy Jackson isn't much in evidence, but really is mostly based on himself.
Paula Abdul Cowell is mostly herself as well, but I was also thinking of Eartha Kitt as well as Mica Ertegun, widow of Ahmet Ertegun and one of the top interior designers of the past century.
The Kittens really are any girl group you want.
Kat McPhee is very slightly based on Diana Ross, but only if you squint.
Gina Glocksen is based somewhat on Ronnie Spector and somewhat on Joan Jett, but would have been recording around the same time as Heart.
Kelly Clarkson is based on Carole King, and there's a joke in there if you want to find it.
Chris Daughtry, naturally, is based on Gerry Goffin.
Elliott Yamin is based partially on Arif Mardin
As for our heroes, they weren't based on any particular pop songwriting team, but there are clues enough in the last part, this and the next one for you to guess which Broadway songwriting team they're based on. More on that in the next chapter!
Title: Radio Friendly Part 9 of 10: Instead of a Sweet
Pairing: American Idol: Blake Lewis/Chris Richardson
Rating: PG
Summary: In which years go by.
Length: 600 words
Disclaimer: People sort of own themselves, don't they? Which means this is a work of fiction.
Notes: Radio Friendly is an AU set in 1962, when New York was the center of pop music and the Brill Building was where it all happened, when a group of talented songwriters and producers crafted perfect pop hits for artists whose every move was controlled by their label. Pictures and songs will be used along the way to take you back to yesteryear—and for those who'd like more info, see the additional author's note at the bottom.
You're reading this story because
lillijulianne was so enthusiastic and allysonsedai insisted that it see the light of day, because they were willing to keep reading even when I sent three chapters in one weekend, and were instrumental in the flow, in pointing out what it needed and what it didn't, and in holding my hand through the entire thing. Thank you, ladies!1: Come to Where the Flavor Is | 2: Where Particular People Congregate | 3: This Is the One They'll Have to Beat | 4: You've Come a Long Way, Baby | 5: Alive with Pleasure | 6: It's What's Upfront That Counts | 7: We'd Rather Fight Than Switch | Missing Scene: Ryan and Simon | 8: So Round So Firm So Fully Packed | Missing Scene: Chris and Blake
These amazing graphics were created by
ali_wildgoose, whom I cannot thank enough.instead of a sweet
Additional Scene: One Big Circle
10: I'd Walk a Mile. Includes dogs and video messages!
Notes: Our cast of characters:
Ryan Seacrest is based partly on his own sweet self, partly on Dick Clark (who really was one of the first to play the Beatles), partly on his mentor Merv Griffin (the game show stuff) and partly on label owner/movie exec David Geffen (who has raised tons of money for AIDS charities).
Simon Cowell is mostly himself, with elements of Don Kirshner and Phil Spector.
Randy Jackson isn't much in evidence, but really is mostly based on himself.
Paula Abdul Cowell is mostly herself as well, but I was also thinking of Eartha Kitt as well as Mica Ertegun, widow of Ahmet Ertegun and one of the top interior designers of the past century.
The Kittens really are any girl group you want.
Kat McPhee is very slightly based on Diana Ross, but only if you squint.
Gina Glocksen is based somewhat on Ronnie Spector and somewhat on Joan Jett, but would have been recording around the same time as Heart.
Kelly Clarkson is based on Carole King, and there's a joke in there if you want to find it.
Chris Daughtry, naturally, is based on Gerry Goffin.
Elliott Yamin is based partially on Arif Mardin
As for our heroes, they weren't based on any particular pop songwriting team, but there are clues enough in the last part, this and the next one for you to guess which Broadway songwriting team they're based on. More on that in the next chapter!
![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
no subject
Date: 2007-10-10 06:05 pm (UTC)This is brilliant. I love how this entire story has been multimedia, btw, I forgot to mention that in my last comment.
I literally gasped when I read about Sligh. D: I feel so bad for Phil.
GALEY!!! XD
I also am happy about Elliott. :)
Oh man, Speezy as Scheherezade? I want that now. And hmm, the only songwriting teams I can think of that may apply are Rodgers & Hammerstein and Livingston & Evans. Orrrrrrrrr Romanovsky & Phillips. Which would make my life. ;)
And oh! Ryan bb! "Because he walked out of the closet on his own terms." Amen. Yes. This is good. \o/
no subject
Date: 2007-10-12 09:43 pm (UTC)hahah, now that you know who the songwriting team is, you'll have to tell me what you think!
Thanks, I'm so glad you like it!